I work where art meets engineering.
A feeling, a memory — translated into metal, light, structure.
I’m interested in objects that carry presence — that change with the space and the viewer.
Engineered like a product. Alive like a mirror.
Polished steel won’t stay still — room, light, viewer keep rewriting it.
One continuous workflow
One hand carries the piece — first sketch to last polish.
Imagination gets engineered.
Maya · Inventor · CAD — down to the DXF that drives the machine.
Files become metal.
Laser-cut, CNC-bent — flat geometry stands up.
Polished into presence.
Bolts in plain view. The mechanics are the language.
From a first sketch to an object standing in the room.
Custom DJ consoles — your gear, sculpted around.
Installations — hotels, rooftops, clubs, public space.
Brand objects & stage elements — your language, in metal.
Concept & 3D — sketch to render to first engineering.
Engineering & production — files become reality.
Every project starts with the dream, the budget and the goal.
Nothing here is a shelf product.
Price follows understanding — size, material, finish, timeline. Confirmed personally before metal moves.
Twelve years in the academic studios — Bezalel and Shenkar.
Continuing education and private sessions — for the student who wants a guide who has already done the miles.
Maya, Inventor, fabrication — the road from an idea to a file a machine will accept.
fabric.ai
Materials, folds, fabrication — opened into an AI-assisted experience. First surfaces: the 3D gallery, the Imaginarium.
In the studio
LED install on the Tri Pi — one night, compressed to twenty-one seconds.
We don’t build products.
We build presence.