Selected works

Metal, light, reflection and sound.

Real images, specs, and a direct path to commission or the 3D room.

Moon Chair — the full crescent in mirror steel on a concrete floor.
Chair

Moon Chair

The origin piece — sheet metal folded into the phase of a moon.

2025 · 2054 x 665 x 2119 mm
Metal₪8,800
DIY kit₪27,878
Assembled₪41,817
Metal, cladding, coating and hardware. LED is chosen on the page; gear and sound separate.
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Tri Pi installed in a private room with Pioneer XDJ-AZ and Void monitors.
Custom console

Tri Pi

A faceted station around the XDJ-AZ — creases that catch their own light.

XDJ-AZ · 1604 x 757 x 1045 mm
Metal₪14,811
DIY kit₪42,488
Assembled₪63,732
Metal, cladding, coating and hardware. LED is chosen on the page; gear and sound separate.
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Quad Sphere installed in a real room with black curved panel geometry.
Custom console

Quad Sphere

A planet of panels around the DJ — a curved shell, light inside.

XDJ-AZ · 1831 x 912 x 955 mm
Metal₪11,015
DIY kit₪33,493
Assembled₪50,239
Metal, cladding, coating and hardware. LED is chosen on the page; gear and sound separate.
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Tri Rose assembled in a studio room with mirrored petal cladding.
Custom console

Tri Rose

A mechanical bloom — petal cladding, bolted around the XDJ-RX3.

XDJ-RX3 · 1569 x 587 x 959 mm
Metal₪9,728
DIY kit₪29,806
Assembled₪44,709
Metal, cladding, coating and hardware. LED is chosen on the page; gear and sound separate.
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Tri Hex 36 installed outdoors with the curved cladding visible.
Custom console

Tri Hex 36

The flagship universal deck — thirty-six facets on an exposed frame.

Universal rig · 2472 x 1349 x 1051 mm
Metal₪30,055
DIY kit₪76,687
Assembled₪115,030
Metal, cladding, coating and hardware. LED is chosen on the page; gear and sound separate.
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Octa Dec 18 installed in the venue — the faceted horseshoe lit blue around its column.
Custom console

Octa Dec 18

Eighteen facets close a horseshoe around the performer — the first commissioned body, already standing in a club.

First body installed · 2870 x 2914 x 1137 mm
Metal₪27,000
DIY kit₪69,646
Assembled₪104,469
Metal, cladding, coating and hardware. LED is chosen on the page; gear and sound separate.
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Quad Cloud — seventy-five mirror quads suspended over the deck, lit from the acrylic beneath.
Custom console

Quad Cloud

A geometrical cloud of music — seventy-five mirrors cut from twelve shapes.

Pioneer XDJ-AZ · 2536 x 1012 x 1047 mm
Metal₪15,075
DIY kit₪43,659
Assembled₪65,488
Metal, cladding, coating and hardware. LED is chosen on the page; gear and sound separate.
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Cube Coffee — a rolling espresso bar, copper counter over a mirror-steel carcass.
Coffee bar

Cube Coffee

Two cubes on castors under a copper counter — a bar that rolls to where the coffee is wanted.

On castors · 2500 x 652 x 952 mm
Metal₪12,870
DIY kit₪40,340
Assembled₪60,510
Metal, cladding, coating and hardware. LED is chosen on the page; gear and sound separate.
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Twisted Star — a faceted steel booth, smoked panels set between the ribs.
Custom console

Twisted Star

A star opened into a booth — one hundred and thirty-five triangles twisted around the player.

Booth · 2299 x 1816 x 1118 mm
Metal₪19,100
DIY kit₪54,245
Assembled₪81,368
Metal, cladding, coating and hardware. LED is chosen on the page; gear and sound separate.
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Bird of Paradise — a silver monstera canopy over the bar on the Sea of Galilee shore.
Outdoor installation

Bird of Paradise

A paradise bird grown from metal — thirty rolled silver leaves, a crown eight metres across, shading the bar beneath it.

Canopy · 7954 x 7954 x 4414 mm
Metal₪106,906
DIY kit₪335,874
Assembled₪503,810
Metal, cladding, coating and hardware. LED is chosen on the page; gear and sound separate.
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Snake Stage V2 — a faceted aluminium serpent head, one amber eye lit.
Stage

Snake Stage V2

A serpent surfacing through the floor — three arcs of bent aluminum, and a head that carries its own lit eyes.

Three sections · 4145 x 7295 x 3172 mm
Metal₪33,382
DIY kit₪95,689
Assembled₪143,534
Metal, cladding, coating and hardware. LED is chosen on the page; gear and sound separate.
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Tri Cular — a crescent console of red facets, ten triangular windows glowing.
Custom console

Tri Cular

A console you stand inside — a crescent of triangulated facets, a lit triangle in every one.

Console · 2636 x 1809 x 1140 mm
Metal₪10,030
DIY kit₪30,841
Assembled₪46,261
Metal, cladding, coating and hardware. LED is chosen on the page; gear and sound separate.
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Diamond UFO — a faceted metal disc lit from within at the festival, the deck set into its top.
Custom console

Diamond UFO

A landed diamond you play from — fifty-five lit facets around the deck.

Console · 3828 x 3683 x 1420 mm
Metal₪24,300
DIY kit₪75,613
Assembled₪113,419
Metal, cladding, coating and hardware. LED is chosen on the page; gear and sound separate.
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Mushroom — four lit ten-sided toilet booths of aluminium ribs and see-through mirror claddings under hanging greenery, as built.
Toilet booths

Mushroom

Four mushroom booths — semi-polished aluminium ribs, see-through mirror claddings, lit from inside.

Booths · 1779 x 1869 x 2607 mm
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RDJ — a mirror-stainless letter R, a DJ console, standing on a lawn in a private garden, as built.
DJ console

RDJ

A DJ console in the shape of an R — aluminium plates in mirror stainless, built around the Pioneer XDJ-AZ, standing in a garden.

Console · 1601 x 612 x 1043 mm
View work3D
Real pieces · real rooms

Not only renders. Built metal, light and rooms.

The geometry — standing in the world.

Tri Pi installed in a private room with Pioneer XDJ-AZ and Void monitors. Tri PiInstalled with sound
Tri Rose assembled in a studio room with mirrored petal cladding. Tri RoseFinished studio piece
Quad Sphere real-room photo showing the curved shell in context. Quad SphereRoom installation
Tri Hex 36 installed outdoors with the curved cladding visible. Tri Hex 36Built structure
Octa Dec 18 installed in a club — the faceted horseshoe with its LED seams running multicolor, first deck on the surface. Octa Dec 18Installed · seams live
Moon Chair — the full crescent in mirror steel, standing on a concrete floor. Moon ChairOrigin piece
Cladding and wiring check during Tri Pi assembly. ProcessFit and wiring
Photographs

Every work, as built.

Moon Chair

Real fabrication and installation views from the studio archive.

In the studio
Moon Chair installed at a private event, mirror faces carrying the room light.
Moon Chair in the workshop — mirror skin over a riveted aluminum spine.
Moon Chair before cladding — the exposed structural skeleton of the crescent.
With the light on
Moon Chair in the studio with its LED system lit, every seat plate outlined in blue light.
Moon Chair in the studio, the LED system running a full spectrum across the seat plates.

Tri Pi

Real fabrication and installation views from the studio archive.

Assembly, and the wiring behind each facet
Tri Pi — work photograph.
Tri Pi — work photograph.
Tri Pi — work photograph.
Tri Pi — work photograph.
Tri Pi — work photograph.
Tri Pi — work photograph.
Standing in the apartment
Tri Pi — work photograph.
Tri Pi — work photograph.
Tri Pi — work photograph.
Tri Pi — work photograph.
Tri Pi — work photograph.
Tri Pi — work photograph.
Tri Pi — work photograph.
Tri Pi — work photograph.
Tri Pi — work photograph.

Quad Sphere

Real fabrication and installation views from the studio archive.

The frame, before cladding
Quad Sphere — work photograph.
Quad Sphere — work photograph.
Quad Sphere — work photograph.
Quad Sphere — work photograph.
Quad Sphere — work photograph.
Quad Sphere — work photograph.
Quad Sphere — work photograph.
Clad, and open for service
Quad Sphere — work photograph.
Quad Sphere — work photograph.
Quad Sphere — photographed view.
Quad Sphere — photographed view.
Quad Sphere — photographed view.

Tri Rose

Real fabrication and installation views from the studio archive.

In the studio, one shape in four finishes
Tri Rose — work photograph.
Tri Rose — work photograph.
Tri Rose — work photograph.
Tri Rose — work photograph.
Tri Rose — work photograph.
Installed, on the herringbone floor
Tri Rose — work photograph.
Tri Rose — work photograph.
Tri Rose — work photograph.
Tri Rose — work photograph.
Tri Rose — work photograph.
Tri Rose — work photograph.
Tri Rose — work photograph.
Tri Rose — work photograph.
Tri Rose — work photograph.
Tri Rose — work photograph.

Tri Hex 36

Real fabrication and installation views from the studio archive.

Assembly, on the roof
Tri Hex 36 — work photograph.
Tri Hex 36 — work photograph.
Tri Hex 36 — work photograph.
Tri Hex 36 — work photograph.
Built, above the city
Tri Hex 36 — work photograph.
Tri Hex 36 — work photograph.
Tri Hex 36 — work photograph.
Tri Hex 36 — work photograph.
Tri Hex 36 — work photograph.
Tri Hex 36 at night — warm single-tone LED matching the terrace light.

Octa Dec 18

Real fabrication and installation views from the studio archive.

In the club, before the lights
Octa Dec 18 — work photograph.
Octa Dec 18 — work photograph.
Octa Dec 18 — work photograph.
Octa Dec 18 — work photograph.
The seams, lit
Octa Dec 18 — work photograph.
Octa Dec 18 — work photograph.
Octa Dec 18 — work photograph.
Octa Dec 18 — work photograph.

Quad Cloud

From the first visualisation to a finished booth above the sea.

The visualisation
Quad Cloud — photographed view.
Assembly, on the roof deck
Quad Cloud — photographed view.
Quad Cloud — photographed view.
Quad Cloud — photographed view.
Quad Cloud — photographed view.
Finished, above the sea
Quad Cloud — photographed view.
Quad Cloud — photographed view.
Quad Cloud — photographed view.
Quad Cloud — photographed view.
Quad Cloud — photographed view.
Quad Cloud — photographed view.

Cube Coffee

From the fabrication model to a bar that rolls to where the coffee is wanted.

The fabrication model
CAD fabrication model of Cube Coffee, three-quarter view with every panel closed.
CAD fabrication model of Cube Coffee seen square to the service face.
CAD fabrication model of Cube Coffee viewed from the end the barista works at.
CAD fabrication model of Cube Coffee with one end door open, showing the lined interior.
CAD fabrication model of Cube Coffee with both bays drawn back.
The bare frame, on site
The bare stainless frame of Cube Coffee standing in the room before cladding.
Close view of the empty steel carcass of Cube Coffee, shelves bare.
The unclad Cube Coffee frame viewed from its end, bays empty.
The Cube Coffee frame with its display fitted, cladding not yet on.
Cube Coffee frame carrying its lit display, still unclad.
The Cube Coffee counter with the first machine set on it, display glowing below.
Equipment being loaded onto the unclad Cube Coffee frame.
The Cube Coffee frame from the far end, moments before the cladding went on.
Finished, and in service
Gilad Kenan adjusting the end bay of the finished Cube Coffee bar on site, display lit.
Cube Coffee installed along a wall, machines on the counter and the glass fridge lit blue.
Espresso machine and grinders standing on Cube Coffee copper counter.
Cube Coffee photographed down its full length in perspective.
Cube Coffee with all cladding doors closed, equipment on top.
Cube Coffee at night, interior bay lighting glowing through the open front.
Wide frontal view of Cube Coffee with the refrigerated bay open at one end.
Cube Coffee seen at an angle from the far end, grinder in the foreground.
Cube Coffee standing against a curtained wall in the room it was made for.
Three-quarter view of Cube Coffee with the copper doors closed.
End elevation of Cube Coffee showing the castors it rolls on.
Cube Coffee seen from across the room, in context with the furniture.
Close view of the espresso machine on Cube Coffee, copper door below.

Twisted Star

From the studio model to a working club, in the order it happened.

The studio model
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Installation, in the raw venue
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
The finished club
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.
Twisted Star — photographed view.

Bird of Paradise

Real fabrication and installation views from the studio archive.

Bird of Paradise at night — the steel crown from below, over the scale-clad bar, the far shore lit across the water.Night on the shore — the crown carries the promenade light
The crown from above at dusk, mid-installation, over the round bar taking its white scale cladding.Going up — the crown whole, the bar taking its scales
Night during installation — the full canopy over the white-scaled bar, tile pallets still on the plaza.The canopy up, the plaza still in boxes
Early installation at night — the first leaves mounted on the bare steel stems.First leaves on the stems
From the air — the silver crown fully leafed between the palms, open water beyond the rail.From the air — a metal crown among real palms
The full crown at night, frontal — a builder's drill still resting on the counter.Last nights of the build
Under the edge of the canopy at night — stems and leaves against the promenade lights.The stems at night, the far shore behind
Night wide view — the finished crown over the bar, cladding boxes stacked on the plaza.The crown finished before the plaza
Inside the canopy at night — leaves warm under the site lights, violet accents in the crown.Under the canopy, the light climbing
Morning during installation — the first leaves up against the blue of the lake.Morning — first leaves against the lake
The Bird of Paradise through the arched glass of the hall, against the sunset over the water.Through the glass, at sunset
The venue open at dusk — bar stools under the crown, umbrellas and tables along the shore.Open — the bar working under the crown
Dusk from the garden path — the lit crown over the white-scaled bar.Dusk on the path
Dusk, wider — the garden paths meeting at the bar beneath the canopy.Every path leads under it
Midday — silver leaves overhead beside the palm, a guest at the shaded table.Midday silver, real shade
Midday from the lawn — the whole work over the bar, the hills across the lake behind.The work and the lake it lives on
The crown bright silver at midday above the white-scaled counter.Bright silver at noon

Snake Stage V2

Real fabrication and installation views from the studio archive.

A single S-curved body section on a concrete floor with a Coca-Cola can standing beside it for scale, bolt-tab footplates flat at its base, an open faceted mouth at the far end and silver truss stacked behind.A drinks can is the whole scale bar
A body section lying with its octagonal end open to the camera, red clamps still gripping an internal bracket inside the black-painted cavity, a short collar ring beside it and rows of unassembled bent panels waiting on the floor in front of PA stacks and a mixing desk.Sixty-two panels, most of them still queued
A grey four-door pickup parked in a metal supplier's yard in daylight, its open bed stacked with folded raw aluminium sections lashed under a yellow ratchet strap, with racks of steel tube, pallets and stacked sheet offcuts behind it.The load leaves the metal yard
Nested aluminium panels packed into the open bed of a dark pickup at night - octagonal ring frames, folded box sections and rows of bolt tabs, some marker-written - parked tailgate-out at a black roller shutter with Hebrew warning signs beside it.Backstage door, tailgate down, after dark
Two rows of folded aluminium sections laid out across a venue's scuffed concrete floor, marker part numbers including BL1 and NR10 written on their flanks, with truss towers, road cases, an A-frame ladder, speaker horns and a blue floor light around them.Every section named before it is joined
A chevron of bright mill-finish aluminium panels bolted together at the apex and standing on small brass-coloured footplates, hand-marked BR1, swirl-scratched from handling, with blue stage light glancing off one flank and grey acoustic foam, road cases and a ladder behind.First bolts, and a spine begins
A bolted aluminium chevron rearing off a stage floor at eye level, BR1 inked on its near flank and BR3 on the section behind, a hard beam and a violet-and-yellow spot raking the concrete past it, with a projector, ladder and panelled doors upstage.The stage lights find it early
A single hunched aluminium section on a venue concrete floor with its near end left open to a dark cavity, bolt tabs and flat footplates around the rim, a faint marker code on the flank, and stacked PA cabinets, a leaning ladder and a mixing desk behind it.An open end, and the dark inside
A zig-zag run of bolted aluminium panels lies low across a concrete floor, footplates flat to the ground and hand-written codes BR1 and BR4 on the facets, with more finished sections stacked to the right and a step ladder and speaker cabinets behind.The body finds its line on concrete
The same low zig-zag body section seen wider on the venue floor, a wooden shim packing one footplate level, a blue ring-shaped light fixture glowing in the darkness behind it, a mixing console on a rolling rack to the right, and a loose panel marked BL 6 in the near corner.A wooden shim under the serpent's foot
A faceted head-end shell sits on a steel fabrication table silhouetted against a bright open workshop doorway, marker writing HL3 and MID across its top panels, a paper coffee cup and clamped offcuts beside it on the table.The head takes shape against the doorway
A faceted aluminium head shell on a steel shop table in daylight, hand-written HL3 and HL4 in black marker across its panels, a long horizontal slot cut through the front facet, a bolted bracket at the open rear, and flat cut blanks waiting on the table beside it.Raw facets, marker numbers still riding
Two assembled aluminium sections stand on a venue floor under a violet wash, one rearing upright at the left and a longer humped run at the right, with screwdrivers and pliers lying on a sheet of acoustic foam between them and speaker stacks and truss behind.Purple wash, and the tools still down
Chest-high faceted head-and-neck section in raw aluminium standing on a venue floor under purple wash, a dark eye aperture cut into one facet, with a mirror ball, lighting truss, black drapes, road cases and a stacked speaker cabinet behind, and a second bent section at right.The head arrives before the show does
Looking down at the head section with one side panel swung open, exposing the bolted internal bracket and hand-written marker numbers inside, a black speaker stack above and a second faceted section lit gold at right.Opened up, still speaking in part numbers
Overhead view straight down into the hollow head section, its interior empty and one facet carrying the rectangular eye aperture, with a chevron-bent body section lying alongside on purple-lit concrete.Hollow at the centre, exact at the edge
Nine open-topped octagonal aluminium segments standing in a loose cluster on a backstage concrete floor, drilled bolt tabs and marker numbers around their rims, with partly assembled sections on acoustic foam, a step ladder, a cable reel, tools and moving-head lights behind.A spine, laid out and waiting
Two open octagonal aluminium collars lying side by side on concrete beside a sheet of acoustic foam, hollow and dark inside, each rim carrying drilled bolt tabs numbered by hand in marker.Tabs, holes and handwriting - the assembly language
Shot from standing height past the photographer's white sneakers, a small faceted tapered cap sits inside the open mouth of a body segment with amber tape at its shoulders, surrounded by marker-numbered panels laid across acoustic foam and a small LED par at the left.The last piece, fitted by eye
Overhead close on the serpent's head backstage, its amber eye lens unlit and dull, with a wedge-shaped gap standing open between two facet panels to reveal the bolted frame inside, a lighting road case and black acoustic foam on the concrete alongside.The head before the current arrives
The same head from above with the eye now burning hot orange and light flooding out through the open panel gap onto an inner face covered in red marker notes, a spare panel lettered R4 lying on the foam at the left.Power on, and the seam tells on it
All three sections set out on a venue floor beneath hanging mirror balls and a truss-mounted fluorescent tube, magenta wash spilling across the black foam mat, the low head showing a red glow, road cases and drape in the dark behind.Magenta night, the sections take the floor
High angle across the assembled sections with blue light raking the seams and pooling under the neck, an amber lens catching light at the head, an orange power cable snaking across the concrete past a tool-strewn foam mat.Blue hour on the load-in floor
A body section curving away with its octagonal end open and hollow toward the camera, the head beyond it lit amber with brass-coloured plate showing under an open facet, a green forklift and stacked truss in the background.Open end, and the head still awake
Two curved sections resting side by side on the concrete at eye level, the near one open-ended and marker-lettered NL1 and NL4, the far one carrying the head with its amber lens and gold interior, a green forklift at the left edge.Two spans, numbered and waiting

Tri Cular

Real fabrication and installation views from the studio archive.

Two matching arrowhead-shaped sheet-metal parts in raw mill aluminium lying on a cracked red-painted workshop floor, each with bent tabs, small bolt holes and a folded stiffening lip, still scuffed and fingerprinted from cutting.Flat parts on the shop floor
The crescent stands unpainted in a workshop, bare aluminium panels bolted into triangulated facets with the triangular apertures still empty and open, hinge strips along the joints, flat top plate drilled with cable holes, a coiled hose on the red epoxy floor and stacked flight cases and a forklift behind it.Before the red - the shell in bare metal
Shot at night in near-total black, only the lit body reads: rows of triangular panels glowing pale against the dark, and the top rail carrying Everything else goes dark. The geometry does not.
The unpainted crescent seen from the front left across a workshop floor, a Coca-Cola can standing on its flat top for scale, a wall of black flight cases stencilled PS 15 and a bike behind, the triangular openings still cut through to nothing.A can on the deck sets the scale
Three-quarter view from one wing end of the bare shell, the scalloped top plate curving away and the far wing's inner face visible through it, a white foam block behind stamped Weight and date stamped on the block behind
Looking down into the open interior from behind, the performer's side of the bare shell - inner facets, mounting brackets and the underside of the top plate all exposed - with an AMP-2 flight case and foam sheets on the workshop floor.The side only the DJ ever sees
Head-on from inside the arc: the full sweep of the unpainted crescent's inner wall, dozens of triangular apertures cut clean through so the red floor shows behind each one, the top rail drilled with two cable ports, machine tools and benches along the back wall.Forty-eight facets, and daylight through every one
The bare unpainted steel shell of the crescent stands on a workshop floor, its triangular cut-outs and bolt holes still raw metal, with an orange industrial robot arm, machines and a flight case marked AMP 2 behind it.Before the colour, the geometry already stands
The finished red console sits unlit on a pale timber riser against a black stage wall, its triangular windows dark, two speaker cabinets and a run of small stage lamps overhead.Waiting on the riser, before the doors open
The console seen square from the front of the stage, deep red facets with polished edge strips, the riser's pale timber legs beneath it and speaker boxes hanging on the black wall behind.Front of house, the whole crescent in one look
Close on one end of the console at night, three large facets filling the frame, a smoked triangular window showing cabling inside, palms and a speaker stack out beyond the deck.Up close, the skin turns to plates and light
The nose of the console at night with a single warm lamp burning behind one triangular window, festoon lights strung overhead and empty cafe chairs on the timber deck beyond.One lamp awake behind the smoked glass
The top rail read close along its length, carrying The rail says whose night this is
Three-quarter night view of the deep red faceted console on a timber deck, its unlit triangular windows reading black, polished steel strips catching the venue's warm lights, and the top rail carrying Before the switch - the geometry speaks first
Head-on night view of the crescent with its lights off, the symmetry laid bare: Straight on, unlit - forty-eight facets and every bolt
The console in near-total darkness with only its lit elements visible: triangular panels burning magenta, cyan, amber, white and pink in an irregular scatter, the top rail glowing The body disappears and the light remains
The console lit red on a wooden floor between two stacked speaker towers, a man in a black tee standing behind it at the working top; one panel glows blue-white with the Don Julio figure while the rest burn red, and mains blocks and cabling lie on the boards to the right.The performer takes his place inside the crescent
The red-lit console seen slightly closer with the DJ standing behind it looking down at his hands, red drapery and dark speaker cabinets framing the room, and cable runs and power blocks visible on the timber floor beside it.Head down, hands working, the console holding the room
Tight frontal crop of the lit console filling the frame: red triangular panels alternating point-up and point-down across two bands, one blue-white panel carrying the Don Julio figure, and the glowing top rail with Close enough to count the glowing triangles
A DJ stands inside the crescent console in a darkened venue flanked by stacked speaker cabinets, the lit top rail reading Don Julio 1942 twice around a central noccá, two rows of triangular panels burning red below it and one small panel glowing blue-white.The performer takes the centre of the room
The open working side of the console on a poolside timber deck at night, its inner facets lit red and blue from behind while black cable runs, plugs and power bricks lie taped and looped across the bare panels.The side only the DJ ever sees
A closer look into the console's open back under strings of bulbs and a slatted timber fence, wiring and control boxes crossing the glowing inner triangles, with a man in a bucket hat standing behind the top rail.Wiring taped down, light coming through anyway
Three-quarter night view of the lit console on a red-washed timber deck as a man in a grey shirt carries bottles out of a glass doorway to the left, past a potted palm and a flowering shrub.Last bottles carried past the glow
The console head-on at night on an empty deck, every triangular panel lit red between polished edge strips, red light spilling across the floorboards, with a wicker chair at the near right and planting to the left.Empty deck, every facet awake
The whole curved body seen from the front with both wings sweeping back, upper and lower bands of red triangles lit, the top rail carrying Don Julio 1942 twice around noccá, on bare deck boards.The crescent entire, holding its own light
The faceted crescent console seen at night from its left front on a timber deck, every triangular panel glowing red, the lit top rail reading Don Julio 1942 and nocca, with string lights, a glazed black wall, dark steps and patio chairs behind it.Red on the deck, the crescent awake
Wide night view of the whole venue terrace with the red-lit console standing alone mid-deck, a palm and flowering shrub in a timber planter at left, speaker stacks mounted high at right, and the deck boards washed red beneath it.The room clears and it holds the floor
The same terrace framing a stop darker, the console reduced to two bands of red triangles and three lit words floating in near-black, the deck barely catching the glow.Turn the room down and only the light remains
Close frontal crop filling the frame with two courses of red-lit triangles between polished steel edge strips, the top rail carrying Don Julio 1942 twice with nocca lit between them, and one panel showing a small figure silhouette.Forty-eight facets, one continuous red
The console at night with its panels running mixed colour instead of red, blue, green, amber, magenta and red triangles scattered across both courses, the lettering lit cool white, and the deck around it washed violet.The palette breaks open
Head-on night view of the crescent with panels lit in blue, amber, green, violet and red, nocca and Don Julio 1942 glowing pale blue along the top rail, a timber planter at left and a black speaker cabinet at right.Straight on, every facet choosing its own colour

Diamond UFO

Real fabrication and installation views from the studio archive.

The Van Nuys shop where the Diamond UFO was fabricated, 17 August 2023.The shop in Van Nuys, 17 August 2023
Diamond UFO under fabrication, cut aluminium on the shop floor, 15 August 2023.Fabrication begins, 15 August 2023
Diamond UFO under fabrication at the shop, 15 August 2023.At the shop, 15 August 2023
Diamond UFO coming together, 16 August 2023.Coming together, 16 August 2023
Diamond UFO during assembly, 16 August 2023.During assembly, 16 August 2023
The Diamond UFO's frame assembled in raw mill-finish aluminium, triangulated cutouts through every facet, 16 August 2023.The frame assembled, before its skin — 16 August 2023
Diamond UFO at the shop, 17 August 2023.At the shop, 17 August 2023
Diamond UFO finished at the shop, 18 August 2023.Finished at the shop, 18 August 2023
Diamond UFO being prepared for shipping, 18 August 2023.Prepared for shipping, 18 August 2023
Diamond UFO wrapped on a cart outside the shop, ready to ship to the festival, 18 August 2023.Wrapped and ready to ship, 18 August 2023
The Diamond UFO lit at the festival — fifty-five frosted facets glowing around the deck. A frame from video, not a photograph.The work lit at the festival — a frame from the night footage
The Diamond UFO lit at the festival — fifty-five frosted facets glowing around the deck. A frame from video, not a photograph.The work lit at the festival — a frame from the night footage
The Diamond UFO lit at the festival — fifty-five frosted facets glowing around the deck. A frame from video, not a photograph.The work lit at the festival — a frame from the night footage
The Diamond UFO lit at the festival — fifty-five frosted facets glowing around the deck. A frame from video, not a photograph.The work lit at the festival — a frame from the night footage
The Diamond UFO lit at the festival — fifty-five frosted facets glowing around the deck. A frame from video, not a photograph.The work lit at the festival — a frame from the night footage

Mushroom

Real fabrication and installation views from the studio archive.

Mushroom — photographed view.Mushroom
Mushroom — photographed view.Mushroom
Mushroom — photographed view.Mushroom
Mushroom — photographed view.Mushroom
Mushroom — photographed view.Mushroom
Mushroom — photographed view.Mushroom

RDJ

Real fabrication and installation views from the studio archive.

RDJ — photographed view.RDJ
RDJ — photographed view.RDJ
RDJ — photographed view.RDJ
RDJ — photographed view.RDJ
RDJ — photographed view.RDJ
RDJ — photographed view.RDJ
RDJ — photographed view.RDJ
The studio floor

From the studio archive

Tri Rose — work photograph. Tri Pi — work photograph. Quad Sphere — work photograph. Tri Hex 36 — work photograph. Octa Dec 18 — work photograph. Moon Chair — work photograph. Follow the build feed@gilad_kenan →