Stage · No gear — the stage is the work

Snake Stage V2

A serpent surfacing through the floor — three arcs of bent aluminum break the ground and dive back under it, and the neck rises three metres to a head that carries its own lit eyes.

Request a quote made to order · priced personally
Home delivery · 14–27 business days
The serpent's head and neck standing upright on a backstage concrete floor, a single amber eye panel bolted through its corners into the faceted aluminium cheek, a tall thin crest blade rising alongside and road cases, truss and black drape behind.One eye in, the crest still bare
Request a quote — configure below See it standing in 3D 3D Blueprint
AR is coming — tell Gilad you want it We will write it into your notes. No payment, no obligation.
TECHNICAL SHEET · FRONT ISOMETRIC · TRUE GEOMETRY
TECHNICAL SHEET · PERSPECTIVE VIEW · TRUE GEOMETRY
NESTING SOLIDS · MATERIAL CUTS
Technical preview — production DXF / STEP files remain with the studio and its fabrication partners.

Built proof

Real fabrication and installation views from the studio archive.

A single S-curved body section on a concrete floor with a Coca-Cola can standing beside it for scale, bolt-tab footplates flat at its base, an open faceted mouth at the far end and silver truss stacked behind.A drinks can is the whole scale bar
A body section lying with its octagonal end open to the camera, red clamps still gripping an internal bracket inside the black-painted cavity, a short collar ring beside it and rows of unassembled bent panels waiting on the floor in front of PA stacks and a mixing desk.Sixty-two panels, most of them still queued
A grey four-door pickup parked in a metal supplier's yard in daylight, its open bed stacked with folded raw aluminium sections lashed under a yellow ratchet strap, with racks of steel tube, pallets and stacked sheet offcuts behind it.The load leaves the metal yard
Nested aluminium panels packed into the open bed of a dark pickup at night - octagonal ring frames, folded box sections and rows of bolt tabs, some marker-written - parked tailgate-out at a black roller shutter with Hebrew warning signs beside it.Backstage door, tailgate down, after dark
Two rows of folded aluminium sections laid out across a venue's scuffed concrete floor, marker part numbers including BL1 and NR10 written on their flanks, with truss towers, road cases, an A-frame ladder, speaker horns and a blue floor light around them.Every section named before it is joined
A chevron of bright mill-finish aluminium panels bolted together at the apex and standing on small brass-coloured footplates, hand-marked BR1, swirl-scratched from handling, with blue stage light glancing off one flank and grey acoustic foam, road cases and a ladder behind.First bolts, and a spine begins
A bolted aluminium chevron rearing off a stage floor at eye level, BR1 inked on its near flank and BR3 on the section behind, a hard beam and a violet-and-yellow spot raking the concrete past it, with a projector, ladder and panelled doors upstage.The stage lights find it early
A single hunched aluminium section on a venue concrete floor with its near end left open to a dark cavity, bolt tabs and flat footplates around the rim, a faint marker code on the flank, and stacked PA cabinets, a leaning ladder and a mixing desk behind it.An open end, and the dark inside
A zig-zag run of bolted aluminium panels lies low across a concrete floor, footplates flat to the ground and hand-written codes BR1 and BR4 on the facets, with more finished sections stacked to the right and a step ladder and speaker cabinets behind.The body finds its line on concrete
The same low zig-zag body section seen wider on the venue floor, a wooden shim packing one footplate level, a blue ring-shaped light fixture glowing in the darkness behind it, a mixing console on a rolling rack to the right, and a loose panel marked BL 6 in the near corner.A wooden shim under the serpent's foot
A faceted head-end shell sits on a steel fabrication table silhouetted against a bright open workshop doorway, marker writing HL3 and MID across its top panels, a paper coffee cup and clamped offcuts beside it on the table.The head takes shape against the doorway
A faceted aluminium head shell on a steel shop table in daylight, hand-written HL3 and HL4 in black marker across its panels, a long horizontal slot cut through the front facet, a bolted bracket at the open rear, and flat cut blanks waiting on the table beside it.Raw facets, marker numbers still riding
Two assembled aluminium sections stand on a venue floor under a violet wash, one rearing upright at the left and a longer humped run at the right, with screwdrivers and pliers lying on a sheet of acoustic foam between them and speaker stacks and truss behind.Purple wash, and the tools still down
Chest-high faceted head-and-neck section in raw aluminium standing on a venue floor under purple wash, a dark eye aperture cut into one facet, with a mirror ball, lighting truss, black drapes, road cases and a stacked speaker cabinet behind, and a second bent section at right.The head arrives before the show does
Looking down at the head section with one side panel swung open, exposing the bolted internal bracket and hand-written marker numbers inside, a black speaker stack above and a second faceted section lit gold at right.Opened up, still speaking in part numbers
Overhead view straight down into the hollow head section, its interior empty and one facet carrying the rectangular eye aperture, with a chevron-bent body section lying alongside on purple-lit concrete.Hollow at the centre, exact at the edge
Nine open-topped octagonal aluminium segments standing in a loose cluster on a backstage concrete floor, drilled bolt tabs and marker numbers around their rims, with partly assembled sections on acoustic foam, a step ladder, a cable reel, tools and moving-head lights behind.A spine, laid out and waiting
Two open octagonal aluminium collars lying side by side on concrete beside a sheet of acoustic foam, hollow and dark inside, each rim carrying drilled bolt tabs numbered by hand in marker.Tabs, holes and handwriting - the assembly language
Shot from standing height past the photographer's white sneakers, a small faceted tapered cap sits inside the open mouth of a body segment with amber tape at its shoulders, surrounded by marker-numbered panels laid across acoustic foam and a small LED par at the left.The last piece, fitted by eye
Overhead close on the serpent's head backstage, its amber eye lens unlit and dull, with a wedge-shaped gap standing open between two facet panels to reveal the bolted frame inside, a lighting road case and black acoustic foam on the concrete alongside.The head before the current arrives
The same head from above with the eye now burning hot orange and light flooding out through the open panel gap onto an inner face covered in red marker notes, a spare panel lettered R4 lying on the foam at the left.Power on, and the seam tells on it
All three sections set out on a venue floor beneath hanging mirror balls and a truss-mounted fluorescent tube, magenta wash spilling across the black foam mat, the low head showing a red glow, road cases and drape in the dark behind.Magenta night, the sections take the floor
High angle across the assembled sections with blue light raking the seams and pooling under the neck, an amber lens catching light at the head, an orange power cable snaking across the concrete past a tool-strewn foam mat.Blue hour on the load-in floor
A body section curving away with its octagonal end open and hollow toward the camera, the head beyond it lit amber with brass-coloured plate showing under an open facet, a green forklift and stacked truss in the background.Open end, and the head still awake
Two curved sections resting side by side on the concrete at eye level, the near one open-ended and marker-lettered NL1 and NL4, the far one carrying the head with its amber lens and gold interior, a green forklift at the left edge.Two spans, numbered and waiting

Specifications

Dimensions
W 4145 · D 7295 · H 3172 mm
Compatibility
No gear — the stage is the work
Construction
Sixty-two bent aluminum panels in 3 mm 5052 · two PAEK lit eyes · three ground-seated sections · LED
Delivery
14–27 business daysfrom confirmation · made to order, not held in stock
Modes
Fully assembled or DIY kit
Payment
Secure card-payment link after confirmation

Fabrication

Laser cutting

Every panel starts flat — cut from the fabrication model’s own files in aluminum, stainless or copper.

Press-brake bending

The aluminum frame folds to shape on a press brake; every angle lives in the model.

Bolted, never glued

Every panel is serviceable and the bolts are the ornament — fitted by hole size across the piece.

LED under the skin

A 3 mm frosted acrylic layer sits beneath the cladding; the seams take the light.

This piece, by metal
Aluminum 5052 · 3 mm × 62

Two ways to own it

Fully assembled

The finished piece — checked, packed, delivered ready.

DIY kit

Precision-cut, pre-finished parts, hardware and clear instructions — assembles IKEA-style, studio-supported. Tools not included unless noted.

Quote excludes DJ gear — controller, mixer, CDJs, turntables, speakers, cabling, sound equipment. Gear fit confirmed by Gilad before any payment — differs from listed gear? Write the exact model in the notes. Built to order: minor fabrication and finish variation is normal. Delivery estimate applies after confirmation and payment; logistics confirmed personally for your destination.

Request a quote for Snake Stage V2

Delivery mode
Standard: mirror or brushed stainless, powder coat, acrylic, aluminum — included. Premium: PVD mirror, 316 outdoor, wood, stone. Brass, copper, precious metals — on request.
Total$55,425
Fabrication $18,475 — quoted by Fabworks. Design and build $36,950 — the studio. See the fabrication breakdown
No payment now — Gilad confirms configuration and gear fit, then sends a secure payment link within a day. Delivery: 14–27 business days. Warranty and returns: full terms at confirmation. Sending this form lets KENAN GROUP LTD contact you about this order — see our Privacy Policy.

Your quote request is in.

Confirmation email on its way. Gilad verifies configuration, then sends your secure payment link within a day.

Questions

Will it fit my exact setup?

Snake Stage V2 is built to order, reviewed personally — questions go in the order notes.

How hard is the DIY kit?

Pre-cut, pre-finished, hardware included, tested end to end — studio support while you build.

How does payment work?

Request a quote without paying. After personal confirmation you get a secure payment link — nothing charged before you approve.

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